Amy Verner

Throughout the Centre Pompidou’s permanent galleries, there are rooms entirely dedicated to major modern and contemporary artists: think Joseph Beuys, Victor Vasarely, Giuseppe Penone. And until 23 September 2024, Ronan Bouroullec.
Of course, Bouroullec is as much an industrial designer as a polyvalent artist, a prolific creator whose amorphous ink drawings and decorative ceramic wall structures suggest ongoing explorations of form and function.
Ronan Bouroullec presents 'Resonance' at Centre...

There is real time and there is Iris Van Herpen time. In real time, people will spend a few hours absorbed in the Musée des Arts Décoratifs exhibition dedicated to the peerless Dutch designer who has developed singular pathways between haute couture craftsmanship and the fields of science, nature, technology, architecture, art, and dance. Within Van Herpen’s universe, 16 years of creation span several millennia of inspiration and research, from an ancient nautilus to the Large Hadron Collider...

Amidst the myriad runway shows currently playing out in Paris, there’s only one place where people can go and find Comme des Garçons, Chanel, Marine Serre, Thebe Magugu, Yohji Yamamoto, Coco Chanel and Kevin Germanier plus 10 other visionary designers as a single experience. Sensitively staged by the revered French fashion journalist and author Laurence Benaïm, La traverse des apparences (Bridging Appearances) at the Centre Pompidou proposes captivating fashion juxtapositions throughout the m...

Just beyond the illuminated passage where visitors enter La Galerie Dior, there is a photograph of the “We Should All Be Feminists” T-shirt that continues to define Maria Grazia Chiuri’s ethos as creative director of the women’s Dior universe. The assertive statement (from the title of a book by Chimamanda Ngozi Adichie) strikes differently in this image by Brigitte Niedermair, however. Stretched across and bunched upon a wood board, it looks more like an assemblage artwork or makeshift sign ...

Since 1989, ANDAM has been considered among the industry’s most prestigious fashion awards, not just because the five individual prizes amount to a substantial sum—now totalling €800,000—or because it is sponsored by nearly all the largest French fashion companies as well as the French Ministry of Culture, but because it is recognized for singling out the major talents of tomorrow.

There is a universal pressure that comes with repeating a first-time success. For Scott Ramon Seguro Mescudi, this was not an issue. Best known as Kid Cudi, the high-achieving music artist, occasional actor, and avid designer insists that his sophomore ready-to-wear collection actually proved an easier exercise—largely because he had so many ideas underway, but also because he’s taking the long view.

One of the most famous and prolific artists working today, Murakami has spent the better part of three decades developing a highly recognizable, pop-infused visual universe—part anime, part emoji, yet not necessarily as simplistic as people think—that he’s transformed into accessible merch, from key rings and T-shirts to plush toys and skateboards.

As this year marked the 10th anniversary of the LVMH Prize, there was an added sense of how significant the initiative has become. Already before the ceremony, experts seemed in agreement that the creation and execution from this cohort were as impressive as any previous edition.

Venice is also where the dream of Golden Goose began in 2000. And ever since—but more so recently—the brand famous for Made-in-Italy sneakers that boast a stylistic, hand-crafted contrast of pre-distressed and flashy surface treatments has made dreaming its raison d’être.

How closely were you following fashion in 1997? It’s somewhat of a trick question. You may not have been born, or maybe you were too young to know Galliano from Ghesquière.

It is rare to find a restaurant in Paris that always stays open... Le Castiglione, as we knew it, was dependably, blessedly, obstinately open… until it closed definitively on Saturday night.

Scott Ramón Seguro Mescudi, otherwise known as the rapper Kid Cudi, and occasionally known as Mr. Rager, is in a Paris showroom facing seven mannequins decked out in looks from his clothing line, Members of the Rage.

October in Paris marks a shift in focus from fashion to art. This is when the city’s major institutions unveil their heavyweight exhibitions, while independent galleries often present their rising stars.

On the second floor of the Fondation Louis Vuitton in Paris, visitors arrive at an atypical display: Two large, square nature studies in dusky light by Claude Monet, removed from their frames, hang from a vertical island with a large gap between them. Beyond is a view to the gallery’s far wall, where a quadriptych—a four-paneled painting—by Joan Mitchell ripples and radiates in similar tones of deep blue, green, and lavender.
In Monet’s paintings, the trees and water lilies appear on the bank...